This Drifting Poo Was Way Too Symbolic! It's the Television Disappointments of the Past Year.

As we consider the television landscape of the past year, a handful of series emerge not for their excellence, but for their spectacular shortcomings. Ranging from awkward sequels to bafflingly bad documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Burdened with dreadful writing, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to justify its existence. Briefly, as the final series began, it looked like it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the final series. It concluded on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Yet, fans undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's issues. The recipient of a exceedingly uncommon no-star review, it was difficult to know where to start enumerating the problems. The hilariously leaden writing? The tedious glorification of wealth and materialism? The almost wilful parade of tropes? Acting so bad they felt almost spiteful? Suffice it to say “each and every one” and forget about this show again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any pity this series might induce should be saved for the people who have had to endure close contact with this charismatic but dismissive narcissist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t suffer the embarrassment of having to indulge baffling accents. But there were many other issues. Primarily that it was just really boring; a conflict over narcotics territory between various London picaresques which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain performatively enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate statements. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with delusions of grandeur; a parade of snoozing dogs, humming beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All supported by vast, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was akin to reading a sales catalogue. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality managing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the smart inclusion of gifted emerging comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lurching from strangely breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A total mess? Absolutely.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius since, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This international thriller about government agencies targeting – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for sexual escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was far greater examination of her true psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was disturbing imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Kimberly Shaw
Kimberly Shaw

Elara is a digital strategist with over a decade of experience in cybersecurity and tech innovation, passionate about simplifying complex topics.